Fourth Dispatch: It's Not What You Think. Voice.
Dear Fellow Residents of Luceti,
Wouldn't it be entertaining to put on some Games here in Luceti? Not that the Cultural Fair wasn't amusing, or any of the other activities going on here -- but true gladiatorial games. The pitting of one creature against another! Think of the thrill and drama and the release that goes along with that sort of entertainment! And here in Luceti we are ideally suited for a very exciting Games indeed.
Who would you sponsor or volunteer for this entertainment? Or would it all be...
[There is a pause here.]
Pokey-mans? I find human beings MUCH more interesting to watch, personally.
Wouldn't it be entertaining to put on some Games here in Luceti? Not that the Cultural Fair wasn't amusing, or any of the other activities going on here -- but true gladiatorial games. The pitting of one creature against another! Think of the thrill and drama and the release that goes along with that sort of entertainment! And here in Luceti we are ideally suited for a very exciting Games indeed.
Who would you sponsor or volunteer for this entertainment? Or would it all be...
[There is a pause here.]
Pokey-mans? I find human beings MUCH more interesting to watch, personally.
[action -- SIX O'CLOCK.]
"It was for the good of us all," her father insists, putting down the phone and folding his arms, a grim smile on his face. Her mother pats Effie on the head.
"Good job, darling. Always Report. You've clearly been listening in school."
In the apartment next door, the baby is crying again, but this time, instead of soothing it, its parents are rushing about and calling to each other in sharp, low voices. There is a thump. The baby cries more loudly.
"Always Report is one of the first things they're taught in fifth form," her mother goes on, proudly informing her father. "Effie, what's the other Big Lesson?"
Effie doesn't answer. Why don't they pick up that baby? It's wailing, now.
And then there is the sound of Peacekeepers' booted feet, tromping up the stairs. Kicking down a door. Even her parents quiet down at that sound: the not-so-secret Police.
Next door, she can hear a woman begging and a man crying. There is shouting, a commotion, and the man's crying stops even as the baby's continues.
"Look, Effie," her mother says in a no-arguments tone. "Fashion Police is on! It's the new episode." Her parents turn to the TV and tune the rest of the world out.
But Effie can't. She watches the stylists and their models walk the runways, but she can only hear a dragging sound in the hallway outside the apartment. Booted feet, still tromping. A baby, still crying in an otherwise-empty apartment, even as the sound of the marching boots fades away.
Will someone get that baby?
Her father turns up the volume; crowds cheer on the television as new fashions are revealed in sparkling pyrotechnics.
The next morning, the baby isn't crying anymore.]
[action -- SIX O'CLOCK.]
And that feeling, that is one that he knows very well.
He glances back at her, the wide eyes and shaking and unseeing expression and sighs, the blind anger bleeding out of him as he stops the sim and the soldiers and buildings fade away into bare walls.]
It's over.
[action -- SIX O'CLOCK.]
Pure rage. It needs an outlet, and it needs one now.
She rushes Clint, little fists balled up to flail at him nonfighting-lady-style. Her wig is askew. The irises flutter to the ground.]
I HATE YOU! I HATE YOU!
[action -- SIX O'CLOCK.]
That's fine. Never asked for you to like me. You aren't the first, you won't be the last.
[action -- SIX O'CLOCK.]
[There was always an inquiry. They were required. She is still smashing her fists into him, though she's starting to get tired. And her knuckles are getting sore. Mostly, though, she is focusing on blathering at him so she won't cry.
Don't cry, Effie! The inner voice that chides her is as harsh as the one she uses to berate Haymitch Abernathy. Stop being so weak! The Malnosso don't want anyone who is weak!]
If they're watching, I'll NEVER forgive you! NEVER!
[action -- SIX O'CLOCK.]
[He doesn't move away, but he does grab her hands, checking them over with more care than she deserves. Punching and hitting hurts like hell when you aren't used to it.]
Sweetheart, I've made enemies worse than you just drinking my morning coffee. It's what I do. But that fear? That's what you've put people, children, through in these games of yours, but those are real, not some simulation.
I was kind. Won't always be that way and thank whatever higher power you believe in that it was me and not Tasha doing this. I'm more merciful than she is.
[action -- SIX O'CLOCK.]
She won't think of the children. She cannot. Won't. Not since the fireworks on a fashion extravaganza had drowned out the weakening wails of an infant.]
Merciful.
[She echoes that quite hollowly. Mercy does not exist in the Capitol. It is bereft of mercy on all levels. She doesn't trust it.]
[action -- SIX O'CLOCK.]
I didn't let it continue. I didn't make you fight. I didn't make you stab someone and feel their blood on your hands, or smash their head in with a rock and feel their skull split. Didn't make you look into someone's eyes and see the terror as they die.
Or maybe you'd have enjoyed it. It's just entertainment after all.
[action -- SIX O'CLOCK.]
So stop judging.
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Heh, like you've never judged anyone before. Pretty sure you spent our whole meeting judging me. What did you come up with?
[action -- SIX O'CLOCK.]
I don't think you'll kill me.
[Killers don't usually look after the bruising, bloodied-up knuckles of a rage-filled Trinket.]
[action -- SIX O'CLOCK.]
But everyone deserves a chance to learn from something. You're not the problem, you're just a product of a system and no-one's ever shown you there's another way to be. I know what that's like.
[action -- SIX O'CLOCK.]
I have to go home. [She mumbles that. Babbles, even. How does one even get out of this place.] They'll be wanting dinner. I make dinner for them sometimes.
[She has no intention of making dinner. She only wants to lock herself in her room and dream about what kind of dog she is going to get. A big one. A big, loyal one.]
[action -- SIX O'CLOCK.]
You need to put some ice on those hands. It'll take down some of the swelling.
[He heads over to where he'd dumped his bag and roots around in it before pulling out a tube of cream then holds it out to her.]
Put this on your knuckles too. You're gonna be pretty bruised tomorrow.
[action -- SIX O'CLOCK.]
What...what's in there?
[She starts backing away toward what she hopes is the exit. She's heard of Snow using poison, before. Most of the political class did. Almost casually, really. And not all of them were the kind you ingest.]
[action -- SIX O'CLOCK.]
[He watches her back away with a raised eyebrow.]
Do I need to demonstrate?
[action -- SIX O'CLOCK.]
[She speaks quickly even as she finds her back against a wall. There's no handy doorknob digging into it. Damn. There had to be something.]
[action -- SIX O'CLOCK.]
I really have no idea what you're talking about. I was just gonna show you that the cream isn't poison.
Trust me, I don't need to hurt anyone else to prove how frequently professionals get hurt. [He had enough obvious scars.]
[action -- SIX O'CLOCK.]
Are you friends? You and Katniss?
[That could be the deciding factor.]
[action -- SIX O'CLOCK.]
Yeah, we are. She's a good kid. Seen too much that someone her age should never have to. Got that in common.
And she's a hell of an archer. I like people who can compete with me in that.
[action -- SIX O'CLOCK.]
Then I accept the use of your pain killer. Though you probably want to use some first, I suppose.
[You know. After all that punching she did to you. She's fairly impressed with herself, really.]
[action -- SIX O'CLOCK.]
Me? I'm fine. I finished with my workout ages ago.
[Yeah, sorry. Some things he is pretty oblivious to.]
[action -- SIX O'CLOCK.]
She catches the tube very awkwardly, trapping it against her chest, before unscrewing the cap and squirting some -- rather too much -- on top of her left hand. To cover up any embarrassment at that, she tries to smoothly change the subject. Get herself back. Come on back, Effie.]
She's mentioned me, of course.
[action -- SIX O'CLOCK.]
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[Her face falls slightly. But of course, why would Katniss ever mention her to this well-trained murderer from some godforsaken underworld? She mattered to Katniss.
Effie hurriedly rubs the cream into her knuckles, ignoring the steady throb under the broken skin. He's definitely right about one thing: they're going to hurt in the morning.]
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